ACCADEMIA DI BELLE ARTI, 1-4 February, Via delle Belle Arti 54
ART TALK CITY:
talk between artists, curators and teachers coordinated by Maria Rita Bentini.
The program is scheduled from February 1 to 4 at 10am in Aula Magna.
ART CITY WHITE NIGHT, 3 February
This year, the
white night organized by Bologna Fiere will be on the 3rd of
February. The audience will also be able to enjoy the artistic proposal spread
around the city in the evening hours. ALCHEMILLA, Palazzo Vizzani, 26 January – 16 March, Via Santo Stefano 43
“The Painting Race”, an exhibition and performance project by the trio of
anonymous Italian artists CANEMORTO, curated by Antonio Grulli. Visitable from
the 26th of January to the 16th of March.BIBLIOTECA ITALIANA DELLE DONNE, 1 – 4 February, Via del Piombo 5
“Chiara Fumai: Inviting Evil Spirits” it’s a dedication of the Traditum east
association to Chiara Fumai, a feminist artist who passed away in 2017 at the
age of 39. LA CINETECA DI BOLOGNA, 1-4 February, various places
Continues its investigation on the relationship between cinema and visual arts,
promoting at Cinema Lumière and at Modernissimo the ART CITY Cinema festival:
you can find the full schedule on the official websiteESPRIT NOUVEAU, 1st February – 3rd March, Piazza
della Costituzione 11
Opus Novum#6 – Luisa Lambri, “L’Esprit Nouveau” curated by Simone Menegoi:
photo exhibition by Luisa Lambri.IL SOTTOPASSO DI VIA RIZZOLI, until the 25th of February
The new exhibition space curated by the Cineteca di Bologna, hosts the
exhibition “Bologna Fotografata” which will be accompanied, from February 3
to February 25, by the exhibition “World Press Photo 2023”, promoted in
collaboration with Foto Image and World Press Photo Foundation. The exhibition
will consist of the shots awarded -in the past year- from the most prestigious
international photojournalistic competition. SALA URBANA,
COLLEZIONI COMUNALI D’ARTE, until February 4, Piazza Maggiore
The exhibition “IMMANENTE.
Faenza’s art reshaped by water”, curated by Matteo Zauli and Eva Degl’Innocenti,
wants to be a snapshot of the dramatic flooding that on the night of May 16
invaded much of the city of Faenza with mud, overwhelming the existence of
places, things and people.CUBO and THE UNIPOL GROUP MUSEUM, 1st of February-
11th of May 2024, Piazza Sergio Vieira de Mello, 3/5
The complex and articulated exhibition project of das.07 Tempi Nuovi features
two exhibitions of Stefano Non and a series of meetings centered on the
relationship between artistic creation and technological aesthetics, curated by
Claudio Musso. AUDITORIUM DAMSLAB, February 2nd, Piazzetta P.P. Pasolini 5/b
On Friday, February 2, from 9 p.m. to 11.30 p.m., the meeting “Sound poetry in
the second week of Performance”, curated by Silvia Grandi.LABORATORIO DEGLI ANGELI, January 27 – February 10, Via Degli Angeli 32
“Atelier dell’Errore – Idolo” curated by Leonardo Regano, is a site-specific
intervetion of Atelier dell’Errore (AdE) founded by the artist Luca Santiago
Mora. “IDOLO” presents a dedicated installation that brings together the
complexity of their different expressive languages: drawing, video, photography
and sculpture. MAMBO – SALA DELLE
CIMINIERE, February 1st – May 5th, Via Don Giovanni Minzoni 14
The exhibition “Ludovica Carbotta. Very Well, on My Own”, curated by Lorenzo Balbi with the assistance of
Sabrina Samorì, presents more than 100 works trancing the multifaced production
of the Turin-based artist focused on exploring the concept of imagination.
MAMBO – PROJECT ROOM, January 26th – May 26th, Via
Don Giovanni Minzoni 14
“Lynda Benglis and Properzia de’ Rossi: Sculptors of capricious and dexterous
ingenuity”, an exhibition project curated by Lorenzo Balbi that establishes a
dialogue between Properzia de’ Rossi and Lynda Benglis.
Properzia de’Rossi was a Bolognese artist born in 1490 and who died in 1530,
considered as the first woman sculptor in the history of art as well as the
only woman to have a biography inside Giorgio Vasari’s Lives. Lynda Benglis was
a highly influential American artist born in 1941 and considered one of the
most important living sculptors. EDUCATIONAL DEPARTMENT'S MAMBO, January 28 – February 11, Via Don
Giovanni Minzoni 14
The solo exhibition of Adele Dipasquale curated by Artierranti. The work of the
artist focuses on sound and non-communication as grounds to go beyond to
unhinge old mechanisms of power and imposed normativity. “I swallowed a
butterfly” investigates the butterfly alphabet as a non-conventional
communication system.ARCHAEOLOGICAL CIVIC MUSEUM, January 26 – February 25, Via dell’Archiginnasio
2
The exhibition “Indispensabile” by Giovanni Morbin, curated by Daniele Capra,
is made of around 50 works of a sculptural and documentary nature made from the
mid 1980’s to the present, as well as new performances created for this
occasion. MEDIEVAL CIVIC MUSEUM, January 26 – March 3, Via Manzoni 4
“Contatti Indicibili”, a bipersonal exhibition by Giovanni Caimmi and Giulia
Dall’Olio curated by Maria Chiara Wang.
The exhibition project was born as a manifesto for a
return to perception, the rediscovery of that set of sensoriality, sensitivity
and instinctiveness as fundamental elements to build a dialogue with the work. INDUSTRIAL MUSEUM AND DAVIA BARGELLINI GALLERY, January 25 –
February 11, Via Strada Maggiore 44
The new sculptures that Pegah Pasyar proposes in the exhibition “Mnemosine”
curated by Marco Baldassari, bring the inner look back to the memory and
remambrance, to a moment where torment and happiness coexist. JEWISH MUSEUM, February 1st – March 17, Via Valdonica 1/5
“Uova e tramezzi” is the trigger of the project that Giuseppe De Mattia
develops in the spaces of the permanent collection, curated by Gabriele Tosi.
In a place dedicated to historical memory, the artist drops an apparently minor
narrative that, wondrous and concrete, highlights the role of images and words
in the construction of memories.
OPIFICIO DELLE ACQUE, February 1st – February 10, Via Monaldo
Calari 15
“Torna, canale” is a site-specific project of Luca Campestri, curated by Olivia
Teglia. The title evoks a return, an unveiling: the work generates a
retrospective, hypnagogic and mental narrative somewhere between the imaginary
and reality. INTERNATIONAL AND LIBRARY MUSIC MUSEUM until 4 February, Strada Maggiore 34
"In art, Milva" curated by Anna Maria Lorusso and Lucio Spaziante. Maria Ilva Biolcati, aka Milva, has traversed over fifty years of Italian history as a protagonist.
ORATORY OF SAN FILIPPO NERI, 30 January - 11 February, via Manzoni 5
Luca Monterastelli's installation "Storia di un onest'uomo", curated by Alessandro Rabottini, rewrites the objects that belong to the place, creating a new landscape, in which the elements accumulate in barricades, transforming it into a scenario reminiscent of a refuge capable of satisfying our need for protection from a world that is always close to collapse.